August 15, 7533
–Starikova I.V. The role of singing in Old Believer worship is one of the most significant. Like iconography, the text of prayers, and the overall structure of the service, singing is intended to reveal the spiritual beauty of ancient Orthodoxy. “Church singing was revered in Rus’ as a bearer of wisdom, divine word, and reason,…
Kriuki (or znamena, “banners”) are symbols used in the Russian Church’s non-linear musical notation. They trace their origin to early Byzantine notation. Each kriuk represents one, two, three, or even more tones. There are three main systems for fixing melodies: the proper kriuk system, the popevka system, and the fita system. In the 17th century, cinnabar markings began to be…
When people speak of Old Believer chant, they often narrow its meaning by referring only to znamenny chant. In reality, Old Believer chant is a much broader concept. In an Old Believer church, one may hear simple recitative chant, chant “according to the tone” in keeping with the ancient principle of the oktoechos (eight-tone system), and of course znamenny chant itself,…
The feast of the Resurrection of the Righteous Lazarus opens a new liturgical season of the year — the Flowery Triode. The term Triode comes from the word tripesnets (three-ode canon) — the earliest compositions in this book were canons consisting of just three odes, dedicated to the Passion of Christ. Over time, additional canons were added, and the Triode…